Re: Vinyl records vs. Cds.
I understand, exactly, the arguments regarding dynamic range capabilities with more bits in a sample (and that's a great post).. but here's the $64,000 question:
If these shit-head mastering 'engineers' insist on crushing the life (and nearly all dynamics) out of a recording BEFORE makeing the glass masters, what difference will it make? If the entire fucking recording only has 1 db of dynamic range, none of that shit matters.
I wish someone would concentrate on getting the record companies to demand some minimum-acceptable dynamic range to be enforced by the pressing plants. They have to WANT to do it.. however that may be accomplished.
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"There are some of these recordings where it is just a whirring, and you cannot hear the music. " - Jimmy Page, 2007 / JUL / 26
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