Quote:
Originally Posted by Five
I'm totally baffled how the dredg show has that nice response in the highs It would be fantastic if you could get that on all yer tapes.
some of the fuzz is noise, but that doesn't explain the transients. perhaps hotter levels can cause pleasant distortion in the highs (on a limb here...).
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Well you never get something for nothing.
I'd guess it's some kind of transfer anomaly. Especially if you take in consideration how very very weak the frequency response in the treble range actually is.
Sure, it may look nice, but in the end it's barely above the inherent noise floor of a 16bit recording, so it's nothing significant (let alone anything you'd ever be able to hear, with all the noise in the lower frequency bands masking it - or anything your average lossy psychoacoustic encoder would consider to preserve)
Quote:
Originally Posted by robkismet
My levels are always set far from hot
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actually the right channel on the sample you posted
is pretty hot
very nice recording otherwise though, good job
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